This post is about a month late, but perhaps that isn’t such a bad thing. Hopefully it means that most of y’all have gotten around to seeing Solo: A Star Wars Story and can therefore appreciate what in tarnation I’m rambling on about. If you haven’t yet checked out the latest Star Wars flick because you’re some kind of flawlessly-extroverted sexual Tyrannosaurus too busy hosting wet t-shirt contests to give the time of day to space westerns, then I suggest taking off the star-shaped sunglasses and getting an Uber to one of Panama City’s movie theaters. You might even enjoy it! Then, come back to this site, disable your Ad-Blocker if you haven’t already, and continue with the post, because I will be covering major spoilers.
I liked Solo. I wouldn’t say it’s a great film- but I liked it. I’ve heard it described as a “fun” movie and I’d certainly concur with that. It’s lighthearted and a little swashbuckling in tone, which to be honest is what I would expect from a film that styles itself as a space western. It’s got a couple drawbacks- which I will discuss later- but nothing so diabolical that it completely ruins the experience (like The Last Jedi for example). It’s not the movie I asked for, but I do think it’s a worthy addition to the franchise, and even something I’d like to see more of.
When I say I didn’t ask for it, what I mean is that I was hoping for Disney’s budget to be allocated to exploring events, characters and places farther removed from the main saga than an origin story of one of its most iconic heroes. However- it was exactly the type of story that I wanted. Everyone loves Star Wars in a different way, and for me the aspect of the franchise that I love the most is simply the world itself. That’s the defining characteristic of my profile as a fan. More than anything else I’m attracted to the vastness of its universe and the potential it has to tell any story you want. The proof of its potential is in what I consider to be the greatest Star Wars story ever written- Knights of the Old Republic 2: The Sith Lords. The game is a perfect example of what you can do with the Star Wars template, and it’s the reference I use for illustrating that there is room in the franchise for telling stories that are nuanced, original, and dark. So even though I wasn’t initially excited about the prospect of a Han Solo movie, I found myself warming to the idea when the details of how this story was going to be told emerged in the initial marketing.
Solo is crime movie. It’s a heist movie. It’s a wild-west movie set in outer space. It explores different worlds and different characters than what we see in the main saga. I’ve long wanted a film with Disney’s budget that focuses on the criminal underworld of the Star Wars galaxy. And the benefit of that hefty budget is seen straight away in the movie’s excellent set and costume design. I love that both this film and Rogue One capture the clunky 70’s-inspired aesthetic of the original trilogy in a way that is beautiful and fresh. That’s the first thing I noticed about this film- how beautiful it is. I’m glad they are committing to that crude and clunky sci-fi art style as opposed to something slick yet bland.
The film opens on Han’s homeworld of Corellia- a planet that I have long wanted to see adapted for the big screen- and it looks incredible. The artistic design really brings life to the planet and its people, with a thick, industrial atmosphere. Han and Qi’ra are young lovers with big dreams. They live in an orphan community in thrall to a local crime lord, making a living stealing scrap parts from the city’s massive Imperial ship-building warehouses. One day they find a rare and valuable material that they hope to bribe their way off-world with. Han makes it out, but not before the whole thing goes tits-up and his missus is captured by the neighborhood bully and his pet Staffordshire Terrier. They’re separated for several years Cathy & Heathcliff style, until a chance reunion on a gangster’s luxury barge in which Qi’ra reveals that in order to escape she’s had to do terrible things at the behest of said gangster. Yada yada yada, and the two of them find themselves in a situation in which they have to pull off the heist to end all heists or face getting shanked by Paul Bettany’s vibroblade. It’s a pretty good plot and the action sequences in particular are fantastic. The train heist was probably my favorite. However there were a few issues I had with the story.
The first problem is right at the beginning. One of the golden rules of writing dialogue is not to have the characters of your story act as mouthpieces for the plot, in which they end up saying aloud things they already know for the sole benefit of the viewer. It’s the sort of thing you get a lot in soap operas, where the characters are constantly puking information into your lap. For the most part, Solo adheres to this golden rule, but in the opening scene it gets violated like your Nan at a thrash metal concert. It’s a tough one, because the plot sort of writes itself into this hole by the nature of having the opening so fast-paced. I get that they don’t want to spend too much time going into Han’s childhood, but these are the kind of holes a good writer is expected to navigate. However, this was the only instance of this kind of thing that I noticed in the film’s dialogue.
The second problem, for me, is in how Han and Chewie form their relationship. I wanted them to go more in-depth with the concept of a Wookiee Life Debt, which is a huge part of Star Wars lore. I expected it to manifest in a scene in which Han chooses to save Chewie’s family or something, but it never happens. Given that this film is the origin story of Han Solo, the establishment of his friendship with Chewbacca is something of paramount importance, and I just feel like this could have been done better. The film lacks any one strong and defining moment that we can point to as the birth of their bromance. For the most part they just seem fond of each other, and I don’t recall a particular scene where this fondness evolves into something more profound, that you know will last a lifetime.
The third problem I have is with Han’s character arc. For me, the heart of this film must absolutely be the transformation of a young, optimistic and naïve Han into the cynical, distrustful, self-centered rogue we see in A New Hope. Otherwise, this movie is essentially pointless. There would be no purpose to a Han Solo origin story without this specific arc. And it’s not that this inward journey isn’t there- I just feel as if it could have been done a little bit better. I know the movie wants to maintain its lighthearted tone, but the Han at the end of the film is not as jaded as I would have liked him to be. If you re-watch A New Hope, you realize just how much of a cold mercenary Han Solo is. For me, he’s still a little too hopeful by the end. I’m not saying he displays no growth, because clearly getting betrayed by Beckett and abandoned by Qi’ra changes him. I just wanted that growth to be more apparent.
Where this movie succeeds, aside from its creative action scenes and stunning visuals, is in its performances. Woody Harrelson is perfectly-cast as the grizzled mentor type with dry wit and suspect moral values, but for me the standout performance was Paul Bettany as the film’s primary villain. He’s a different kind of villain to the kind we’re used to- which for the most part are variants of evil warlock figures. Dryden Vos is a more familiar antagonist for moviegoers, because he’s a purely human villain with human motivations. He doesn’t wield the mysterious space magic of Palpatine or have the samurai skills of Darth Vader, and yet he’s so menacing. His unnerving stage presence comes entirely from his unstable, psychotic persona, which Bettany does an awesome job of portraying. I was genuinely nervous every time our heroes were in a room with him.
No review of Solo would be complete, however, without a mention of the movie’s twist at the end. So it turns out that Dryden Vos in fact was serving as a kind of lieutenant for Darth Maul, who apparently survived getting sliced in half in order to reinvent himself as a cyborg Pablo Escobar. Within the context of the movie the twist doesn’t bother me that much, and it’s cool to think that Emelia Clarke might be seen again as some kind of Dark Jedi, but I’m not really a fan of Darth Maul surviving. Even within the realm of science fantasy there’s got to be a certain level of believability, and beyond that, as a narrative device I think resurrecting someone is weak. I loved Darth Maul in The Phantom Menace because he was so mysterious. But whenever you get a badass that doesn’t talk much- like Boba Fett for example- you can bet your ass someone will contrive a way for them to inexplicably survive in order to milk the fanboys for a quick and easy cash-grab. It cheapens Maul as a character, and it annoys me that he’s probably out there right now in other Star Wars media, dancing around with his iconic double-bladed lightsaber like some kind of circus monkey that should have long ago been put to sleep. This is the guy that got beat by a padawan Obi-Wan (an important part of his character growth), so there’s no way in hell he’d last ten seconds going toe-to-toe with Vader, Dooku, Windu, or an older Kenobi. I also thought it was particularly cringe-worthy that Darth Maul felt the need to activate his lightsaber during his hologram exchange with Qi’ra. She knows who he is, so that little display he did was just another wink toward the audience, and another example of the fact that this Maul is not really Maul at all- he’s Disney’s trick pony they’ve trotted onto the stage to ring a few more pennies from the masses. However, I’m not opposed to the idea of Dryden Vos serving a Sith Lord, and given that Maul has already been reintroduced in other media, it didn’t spoil my experience of the movie.
In conclusion, Solo is definitely worth your time. I think it struggled financially because it wasn’t marketed very well. In my opinion, it should have been released in the fall of 2018, which would have distanced it from The Last Jedi and given Disney enough time to build some proper hype for the movie. I would be interested in a sort of loose sequel centering on the adventures of Lando Calrissian. I’m also curious to see what becomes of Qi’ra’s character. I hope that Disney continues to make standalone Star Wars movies and that they venture further from their comfort zone. Where would I rank Solo? Better than The Force Awakens and The Last Jedi by far, but not quite hitting the heights of Rogue One and the Empire Strikes Back. I’d put it on par with the prequel trilogy- highly watchable but not without its flaws.