Category Archives: Personal

Snow Day 2

February 4, 2019 mjvowles2014 Leave a comment

Last year we had an ass-ton of snow one weekend in March and I decided to go outside to take some photos. I couldn’t really walk anywhere picturesque, so I decided to take some wintry shots of the places I grew up. I was feeling kind of nostalgic I guess, because I ended up calling in on my childhood friend Artie and engaging him in a conversation of old memories. A lot of my conversations with Artie take place in the past tense. We’re the kind of people that enjoy telling the same old stories over and over again. When I see him and my other school buddies, I often feel like the youngest version of myself. That’s not to say that Artie and I are trapped in our school days like a pair of McDonald’s All Americans in rocking chairs- I just mean that when I’m around the people I grew up with, I tend to retain parts of myself that I’d otherwise dispense with in other situations. For instance, I’ll make the kind of jokes that appealed to my adolescent self, speaking a lot of gibberish and putting on silly voices. I’ve always found that the past has a stronger pull than I’d like. I often feel the urge to escape it, perhaps just to prove that I can more than anything else. Finding new ways of being myself has the irresistible sensation of conquering the unconquerable- the past.

And the past has been looming over me bigger than ever of late. Snow puts me in a reflective mood, even though it almost never happens in the town in which I live. Last Friday, on the first day of February, snow fell on our little town again. It put me in mind of last year’s snow day, and so once more I resolved to go out and make use of this novelty with my dSLR in hand. This time however, I had an agreement to meet some folks at the pub where I work. I didn’t want to photograph the same neighborhoods I did on last year’s snow day, so I took the extra-long route, zig-zagging across town and taking my time with things that interested me.

I also tried to think about the things I looked at. When I got to work on last year’s Snow Day post, I realized that I didn’t like the idea of uploading my photos without some words to accompany them. A blog post feels kind of naked without text. So I decided to intersperse the pictures with random stories from my childhood. The post felt a little too messy for my liking and I wasn’t sure it was my best work. I decided to forget about it. And yet, despite my dissatisfaction with the post, it turned out to be one of the most popular pieces of content I published last year. I figured the spike in traffic directed toward my website either had to be from former classmates curious to see if I’d slagged them off, or misguided foreigners hoping for National Geographic-esque stills of a rustic idyll.

I’m afraid you’ll be disappointed on both accounts if that’s why y’all are here for round two. Nailsea is no chocolate box. Which is not to say that my hometown is especially ugly or anything, but it’s not a community that’s developed with a sense of touristic charm in mind. For the most part it’s functional rather than aesthetic, having been established around the industries of coal mining and glass manufacture. Now it exists as a sort of de facto suburb for commuters to the city. I imagine that it’s one of thousands of such quiet communities across the U.K, where little much of note happens except the odd headline regarding sleeping cows getting tipped over by dastardly youths or beige-cardiganed OAP’s farting themselves to death while reading Gardener’s World. But in a way I feel like these towns are more real than the likes of Polperro and Lyme Regis, which have always seemed like fantasies to me.

As I went in search of inspiration last Friday, I ended up thinking about my own feelings toward my hometown. During my adolescence I developed a real hatred for it. It’s only fairly recently in my life that this deep-seated loathing towards Nailsea has subsided. Growing up, I attached a lot of the problems I had in my life to the environment I was in. I hated my hometown because it reminded me of everything I wanted to forget. For the longest time I saw it as a cage that reinforced my own failures in life. I dwelled so much on my experiences of being bullied, my romantic shortcomings, and my general sense of not belonging, that I believed wholeheartedly that I couldn’t flourish here. So I traveled. Other places seemed marvelous to me, because with them came the idea that I could be whomever I wanted. Other places were fantasies to me. As soon as I was 16 I vowed to leave Nailsea and never come back. Nailsea was the past, and as I said earlier, I wanted conquer it. I wanted to completely expunge it from my memory and create a life with no trace to the community in which I was raised. But you can’t ever really defeat the past.

First I went to college in the nearby city of Bristol for two years. That in itself was interesting, because I found myself in an urban environment for the first time. It was bustling, cosmopolitan, and multicultural. I tried out new styles of clothing, often opting for the things that looked as different as possible from what everyone back home wore. I tried new types of music. I plunged headfirst into new ideas, reading from old philosophers, watching foreign films, going to the theatre on a semi-regular basis. But I still wasn’t happy. In fact, I was deeply unhappy during my time at City of Bristol College. I spent every break I had hiding in the library listening to my iPod and eating lunch in the bathrooms so that I wouldn’t be seen eating alone. Bristol, I decided, just wasn’t far enough.

At the age of 18 I moved to Winchester, which is about two hours away from here to the south-east. This had to be my time, I thought to myself. I’m in a new place studying something I’m passionate about, surrounded presumably by more likeminded people. Perhaps I was just unlucky. Perhaps I was just born in the wrong place. But as it turned out, I was even less happy in Winchester. What I was sure would be the time of my life ended up being some of the worst years I had experienced yet. It was during this period of my life that I started to think something might be seriously wrong with me. I had grown even more reclusive and isolated than I had been in Nailsea or Bristol. Winchester, I decided, just wasn’t far enough.

So I hopped on a plane and moved 4000 miles to the USA, in Making a Murderer’s very own creepy pine forest Wisconsin. I loved it. I loved it so much that I’ve gone back to the US for the past 5 years in a row. But I learned a few things while I was out there. As much as I enjoyed my time in this new place, I found that it was largely down to the specific friends I made- Aaron and Anne-Marie. I also learned that my problems were too deep-seated to be fixed by a change in environment. I learned that I ought to have been looking inward, instead of far away. Sure, it sucked the first time I came home from living in the USA, but that’s no different to going somewhere nice on vacation and having to return to the hum-drum of normal life. Everyone can relate to that. It was only when I started going to the US every year (and got the medicinal therapy I needed) that I let go of my hatred for Nailsea.

Now I don’t really feel anything toward it. It makes no sense to imbue the physical streets with the shades of memories good or bad. I’ve separated my memories and feelings from the town itself. As I trundled through the snow last Friday, I felt kind of numb to everything. Now it’s just a place, and I think nothing of it for better or worse. In fact, in recent years I’ve even been surprised at the ease with which I walk around town now. I go out more often and talk with more people than I used to.

I’d left the house too late on Friday to capture the snow at its brightest and puffiest. Now the midday sun was melting it into gray slosh. Everything was wet and disgusting, but I decided to keep taking photos anyway, because the imperfection of these muddy remnants reminded me of the imperfection of real life. And Nailsea is nothing if not thoroughly real.

I passed a grocery store that operates out of an old house that seems more akin to a Victorian toyshop. I’ve never been in there, although I have a vague memory of sitting in the car outside and staring through the windows as my mom went in to buy something. I passed the hill that leads to my old house where I used to ride my bike and feel a mixture of fear and excitement at the gradient. I passed the fish and chip shop we’d sometimes stop at growing up, where I’d always feel a pleasure at the heat of the food through the paper in which it was wrapped. It felt like a present waiting to be unwrapped. I passed the road on which my childhood nemesis used to live- a support teacher I routinely clashed with and who once said I lacked any empathy. I was a hyperactive little shit that just couldn’t sit still back in those days, a fact that often surprises those of my friends so accustomed to the docile creature I’ve grown into.

I finished my little walk in the snow at the pub where I now work. It’s a nice place and I feel pretty comfortable there. One of the best things about working in a kitchen is all the free food you get given. Whenever the chefs make too much, I’m often treated to spare chips or something. One time they made too much garlic bread, and I got treated to a couple slices. It was glorious.

Anyway, that’s all I’ve got for this year’s Snow Day post. Maybe it’ll snow again next year and I can make it a trilogy!

My Year in Review: 2018

December 31, 2018 mjvowles2014 Leave a comment

At the stroke of midnight 2018 will be gone forever, and there will be no time left to improve upon it or add to its legacy. Except not really. In Houston, Texas it will still be 2018 for 6 whole hours- which is enough time to read Albert Camus’ The Stranger, persuade the neighborhood kids to whitewash your fence, make muffins with that special someone (and making muffins only takes 10 seconds, right?), annex the Sudetenland, and still have a few minutes to spare to get unceremoniously killed by a tortoise dropped from the talons of an eagle. But no one’s that productive of course. If it weren’t the last six hours of the year it wouldn’t even occur to you to do all those things. Take any six hour period from an average day and you’ll probably see me slouched in my computer chair, tearfully stuffing Jaffa Cakes into my gob and praying for a swift heart attack. And let us not forget- when the clock strikes twelve it will have already been 2019 for six hours in Bishkek, Kyrgyzstan. At the same time everyone here will be counting down the last 10 seconds of the year against a backdrop of spilled beer, horrible music, and none-too-furtive muffin-making, the sun will be rising quietly over the Tian Shan mountains. I don’t know what the Kyrgyzstani translation for “New Year, New Me!” is, but I imagine that when they look up at the first clear sky of the year the novelty is already wearing off. Maybe they think about how each year seems to go by quicker than the last, or how today feels an awful lot like yesterday. Or maybe they think nothing at all.

After all, what is a year really? I guess I tend to think of a year as being its events. I think of it in terms of the decisions I made, for better or for worse. But once those events are over- and a fresh calendar is stapled to the wall- do they really mean anything? I’m so often given to reflecting on a year as a whole, and assessing the decisions therein. I don’t think events can ever really be lost, because even though they may have concluded, the consequences inform our present circumstances. For instance, my decision to eat that tube of Pringles two weeks ago had the consequence of me suffering an ulcer the size of Fort Worth. Mouth ulcers pass, but the event still exists in the present. If I continue to engorge myself on junk food, I’m not going to be able to see me ol’ gigglestick when I’m in the shower (it’s already disappearing from view). Maybe- just maybe– time is like a flat circle, and the past, present, and future all exist within the same space. Everything that’s going to happen has already happened, and everything that’s happened will happen again ad infinitum. The beginning and the end meet each other like a serpent of myth that bites its own tail. It will always be 2018 while simultaneously not being 2018. Or maybe I’ve lost it.

So what have I done with 2018? What decisions did I make? And what will last? In preparation for this piece I took a look back at My Year in Review: 2017. It definitely reads like a story, as though it is a single journal entry in a diary of my life. I find that idea very appealing- it would be great to look back in 50 years at 50 Year in Review posts, assuming I’m still writing when I’m 76. I love preserving memories in as much detail as possible, so for what it is worth, here’s my story of 2018.

When I think of 2018 I think of temping, dog-sitting, and solo travel. I worked in the recycling department of a warehouse where we dismantled outdated computer hardware. It was my first job working with tools, so I did a lot of new things. My most vivid memory is unloading a truck full of scrap metal. It was June, aggressively hot outside, and at the back of the truck were a load of metal doors that had been stripped from old server bays, each bay bigger than a fridge. There had to be about 300 in total, too tightly stacked for the forklift to get under. So we asked the truck driver to park as close to the skip as possible, and just like a conveyor line, me and two other guys launched these doors one by one into the skip as if we were throwing javelins. I’ve never had to call upon my upper body muscles like that. By the end I felt as if my arms would fall off. Someone came along and said “It’s the Tale of the Never-Ending Doors!” which is how I always think of it.

Throughout the year I’ve used the money I’ve made from temp jobs like this to go traveling by myself. My first experience of solo travel was a week-long trip to Hungary, where my confidence in myself grew immeasurably. I discovered I love being in my own company, and that I want to spend all my time seeing new places and cultures. I tried to do as much as possible, going to thermal bathhouses every day, touring museums, going to concerts, taking a dinner-cruise, and even visiting a nightclub!

I also took a weekend trip to Ireland to see my friends George and Elizabeth. We barbecued sausages at their lakeside cottage and followed in the steps of faeries. When I left the warehouse, I decided last-minute to take another solo trip- this time to New Orleans in the USA. I stayed there for a week, drinking Hurricanes, making excursions to the bayou, and sitting front-row at a raunchy striptease burlesque.

When the week was over, I took a train south to Houston. The month I spent living in Texas was among the happiest periods of my life. When I look back on it I think of going down to the park in the morning to eat brisket tacos at the food trucks. I think of J. Cole and the podcast Sh*t Town playing as we drive down the freeway. I think of evenings sitting on the floor playing Super Mario Strikers while necking martinis. I think of all the snuggles with our puppy Adelaide, and the time she tried to hide in my lap when her parents told her off for being sassy. I think of Brandless and Netflix. I think of the time we tried on our wedding suits, or the time we were grilling brats on the deck and it started raining. Watching all the thunderstorms outside the window at night.

In September Aaron and Anne-Marie got married in Wisconsin. Their wedding was my favorite memory of the year. I got to be a groomsman and I even gave a speech at the rehearsal dinner- though I was somewhat inebriated so I don’t remember much of what I said. Something sappy probably. Aaron was the definition of a debonair gentleman and didn’t seem nervous at all. Anne-Marie was the most beautiful girl I have ever seen, holding herself with such an elegant sense of poise and posture. The two slow-danced to “Clouds” by Letters and Lights, and I was happy.

In 2018 I also managed to write a novel and almost finish a second one. I’m on the last two chapters of the second one at the moment. In December I went back to work at the pub I was at before my time at the warehouse. My year came full circle in that way. It was hectic during the Christmas period, but I made new friendships. I also made garlic bread and stuffing balls, when asked. One time I cut my finger open on a cracked ceramic bowl that fell from a shelf and blood sprayed everywhere. My friend Dan said it looked like a horror movie, with the amount of blood covering the floor. I knew instantly that it was the deepest cut I had ever had.

So that’s the story of my year. On the whole it’s been good, but I’ve yet to exercise control over my emotions. I started the year on 40mg antidepressant tablets, tried going down to 20mg, but by the end decided to go back up to 40mg. I learned that my journey is far from over and that progress isn’t always linear. My overall feeling is that it was good- but only reaching the heights of fucking fantastic in isolated spikes. And really, that ain’t too bad.

Fiction, Personal, Travel, Writing

The Crescent City Diaries #5 – Faulkner’s Footsteps and Tarot Readings

August 14, 2018 mjvowles2014 Leave a comment

When I traveled to Budapest last April, I made it a mission of mine to see as many of the city’s literary sites as possible. I bathed in the rich bookish legacy of the Hungarian capital, visiting half a dozen indie bookstores, ordering “The Writer’s Dish” at the famous New York Café (once the hangout of choice for the city’s greatest writers), and visiting Írók Boltja- the city’s greatest bookstore, whose name translates as The Writers Shop. Like Budapest, New Orleans is a writerly city, with a proud history for cultivating literary greatness. And like Budapest, it offered me the chance to follow in the footsteps of wild, bohemian writers. Only this time, instead of tapping into the silvery, cigarette-in-the-rain mood of Hemingway and the impoverished American expats, I would be seeking Tennessee Williams and the whorehouse ambience of screeching streetcars and frantic, cocktail-fueled punching of typewriter keys.

New Orleans is both a place that grows writers from within and attracts writers from afar. And the writers that come want to make this tragic metropolis and its decadent, Old World affectations their own- to capture it in their work the way no one else has. As I got to know the French Quarter well, I asked myself if I could truly live here or not. It would be difficult to invest in real estate with the knowledge that at any time all my possessions might get carried out into the sea. And add to that that New Orleans is quite a boisterous place. It was a little intimidating at first, but as I became used to it I thought more about the Quarter as a home. Part of the anxiety attached to its loud, extroverted revelers and shifty-looking characters comes from simply being alone and not knowing anyone. As a location for inspiration, it’s perfect. There is so much art and creativity to feed off of that I could see myself really happy here, if I were able to afford an apartment of course. All I had at this moment in my life was five short days, so I endeavored to experience whatever trace of the writers I idolized that I could find. I found echoes of Tennessee Williams in unpretentious bars, drinking Hurricanes and listening to sweet jazz beneath the ceiling fans of Americana.

One of the few things I wrote down prior to coming to New Orleans was to visit Faulkner House, which had once been the residence of one of my favorite authors- William Faulkner- and now operated as a bookstore. It was the only thing I had planned for my first day, and after I finished my beignet in Jackson Square, I set about trying to find it. My phone was dying and I just couldn’t seem to locate the darn thing. It ought to be staring me right in the face. Eventually, after much retracing of the same steps, I learned that it was in an alley to the side of the St Louis Cathedral, and set off at a quick pace.

The bookshop is small but very charming, and you can tell it was once a cheap guesthouse. It’s just one room and a corridor, filled all the way around from floor to ceiling with books. The corridor ends in a gate, beyond which is the private residence of the proprietors of Faulkner House. Inside the store is a lady employed by the proprietors to run the place. But she doesn’t just work as a cashier; she serves as an expert on the house, William Faulkner, and literature in general. As I examined the books on offer, other customers engaged the lady and asked her advice on what to get. They told her what sort of thing they were after and she would give them a recommendation. I found this very appealing, and after picking up a copy of Mosquitoes by the man himself, I decided to make use of the woman’s knowledge. I said I wanted a modern novel by a female writer that is set in New Orleans and touches on female themes. She then recommended The Snare by Elizabeth Spencer. Lastly, I said, I need a gritty thriller set in New Orleans. Something dark, a murder mystery, a page-turner, but that featured real place names and captured the atmosphere of the Quarter that I so deeply cherished. The lady then handed me a copy of The Neon Rain by James Lee Burke. There we go. Three books ought to be enough. As we continued to chat about William Faulkner and his work, I noticed that a fifty-something-year-old man to my side was listening in. His tousled hair was going white and his clothes were utilitarian, even scruffy. There’s no cash register in this place, so the lady added up the total of my purchases using a pencil and paper. As she did so, she turned to the man and asked if she could help him. He said straight up that he wasn’t buying anything, and had come here to ask about poetry readings in the area. The lady informed him that Faulkner House didn’t do readings, but there were open mic nights at a few select bars. The man nodded, telling us how he was from San Francisco. He mentioned the city’s famous City Lights bookstore, which is probably my favorite bookstore in the world that I’ve been too. It’s up there with Faulkner House and Írók Boltja for me. He asked the lady if this was New Orleans’ answer to City Lights, and the lady blushed, saying “There can only be one City Lights, only one!”

The total for my order was sixty-five dollars. I swallowed a lump in my throat, sweat entering my palms. In the U.K the average paperback goes for about ten bucks. I was shocked that these novels were going for twenty each. I paid and left, feeling somewhat uneasy, as though my long-desired pilgrimage to this place had a permanent mark scratched into its once wholesome image. As I closed the door behind me and turned down the alleyway, I saw the man waiting for me by the iron fence of the cathedral’s courtyard. He called me over. I thought he was saying “See ya,” so I waved and kept going. Then he called out again, beckoning me to join him.

“Why’d you do that?” he said.

“Do what?”

“Pay her sixty bucks. There’s a dozen used bookstores in the Quarter. You could have gotten them for less than ten altogether.”

“Right,” I said, and I started to feel down. He was right of course. Books should never be that pricey. But I had assumed these would be the same price as any other standard paperback, and now I had already paid and left.

“You shouldn’t be paying her sixty fucking bucks,” he said, and after he kept saying it I didn’t know what he wanted from me. I just stood there looking sad. He acted like he had just witnessed a real tragedy unfold. “I just wish I could have told you sooner,” he said, seeing my miserable expression. “I’m just saying.”

He asked me where I was from. I told him.

“Don’t they have used bookstores in England?”

“Yeah.”

We got on to talking about literature and the man said that Faulkner never really did it for him. He said that “In America, there are only three writers worth reading: Herman Melville, Henry James, and Henry Miller. Miller is my favorite.”

I told him I had read some Miller years ago, and asked what British writers he liked. He said that as far as literature, we Brits had “everything”, and that he was especially fond of the Lake Poets (Wordsworth, Coleridge, etc). He also really liked the novels of Graham Greene. Shakespeare is Shakespeare, we agreed. Enough said.

However the subject came back around to my folly again, and he lamented that he couldn’t have advised me sooner. He eyed the window of Faulkner House with contempt and I stared at my feet like a schoolkid in the wake of being told “I’m not mad, I’m just disappointed.”

Sensing my growing misery, the man offered me a weak smile. Several of his teeth were missing. “Hey listen- cheers– alright?”

He waited for me to acknowledge his use of the British word, but I could only find enough strength to smile back and wish him well.

As always with me, indecisions and doubts snowball, tumbling over each other and coloring my mood- as well as my perception of everything around me. I questioned what I was even doing here, on this trip. I felt very unsure of myself for some reason, like I had no idea what I was doing in New Orleans in the first place. I questioned my ability to simply be an adult and live independently and interact with the world around me. The idea that I’d been duped reinforced the nagging doubt that I still belonged in my mother’s womb. I also had to deal with the notion that Faulkner House- after much excited anticipation- was now stained forever in my memory. The city romped past me, blurring into a kaleidoscopic carnival as if to say that to be here, you had to be happy. The French Quarter is a party after all, right? I then began to question New Orleans as a city too. By this point I was standing in Jackson Square again, and I wondered if the city wasn’t meant for me- that it was meant for adults instead. And here I was, the lost boy trying to find his way home in the glare of neon lights.

Yep, I thought all that, when any normal person would probably just say “O shoot, that was a little pricey. But hey, at least I got what I wanted, three awesome books!”. At least, that’s how I assume other people think.

Before I knew what was happening I was sitting myself down beside one of the palm readers outside the cathedral. She asked me what kind of reading I wanted.

“Tarot,” I said.

Now, you wanna talk about an unambiguous waste of money: this is it. I don’t believe in anything religious or supernatural. If anything I think psychics and mediums and all that are utter charlatans and exploitative shysters. But New Orleans is a supernatural city. I didn’t even think about why I was doing it, I just did it. It seemed simply to be the thing to do here.

The woman told me first off that I was a person that said what I wanted and disregarded what people might think. So that’s completely wrong from the outset. She asked me to draw cards and I pretended to take the whole business very seriously like every other tourist in the Square. Something about a Water Demon. The woman must have picked up on my negative energy, because she told me to stop beating myself up all the time, and that if I put myself first instead of trying to please others, everything I wanted in life would fall into place. She even said there was love in my future- I could share this life with someone, if I wanted to.

Against all odds I started crying. Nothing dramatic, just a light trembling and watering of the eyes. The woman looked at me coldly and asked if I had any questions. I quickly paid and left, careful not to leave my overpriced purchases behind.

Personal, Travel

My Irish Weekend Part 3: Ode to a Compost Converter

July 30, 2018 mjvowles2014 Leave a comment

As I stated in part one, any discussion of my trip to Ireland is impossible if not told through the lens of my friendship with George and Elizabeth. No blade of green Irish grass exists, without the framing device of these two people, upon which it depends. There is no smell of gorse, there is no twinkle in the eye of curious dairy cows, and no flicker of church candles, unless given life from George and Elizabeth. Ireland is opened up through them; there is no other way in. And this is because, unlike Budapest, I was not in Ireland on official Tumbleweed business. As I said- I was desperate to see my friends, and in that sense my trip was wholly self-serving. There was no mission statement; I was just following an urge- a gnawing, biological impulse- which is the need for companionship and the redress of separation anxiety. I wasn’t buying plane tickets with the excitement of seeing windswept castles and jagged white cliffs. I was very much going there to soothe an open wound, to cauterize the ache that comes with missing people to whom you form strong attachments. I’m not really ashamed of that. And it’s worth pointing out this self-centered motivation, because I don’t want to do Ireland a disservice- nor indeed my readers- by pretending that this is a focused and objective account of the country. It’s not. As I told Elizabeth- I would have visited her if she and her husband were living in a Wampa ice cave on Svalbard, with nothing to do except get cozy in the slit-up abdomens of walruses while eating curried reindeer. The place was not a factor to me- but, I knew that wherever they chose to settle, it would become one of fascination to me, whose aesthetics I would attach inexorably to George and Elizabeth’s personalities. I would cherish these rows of gorse and miles of peat bogs, these tranquil lakes and cutesy farmyard animals, as playing a role in their continuum as a couple. Therefore it was inevitable that whatever I saw, I would in some way romanticize it.

So, unlike Budapest, I didn’t have a bucket list. I just wanted to soak up as much of their personalities as possible. I wanted Elizabeth to do as many theatrical comedy routines and tell as many shock-value “pipefitter jokes” as she could. I wanted quintessential, vintage Elizabeth at her rowdy best. I was not disappointed. Throughout the whole five days I was there, the three of us talked without pause from sun-up to sundown. By noon every day my throat hurt, but I went on talking anyway. The entire trip was a five-day conversation, in which the only moments of silence were the hours in which we slept.

We spent our time at their house, sitting by the lake, or going for walks in the surrounding countryside. The house, to me, was a symptom of George and Elizabeth’s romantic worldview. When I got out of the car, I knew that there could be no other house for them. This place was straight out of a fairy tale. It could have been one of those ceramic miniature cottages you see for sale in gift shops. The thatched roof, the hanging kerosene lamp, the cobblestone walls, the little red gate, the Dutch door with its bottom-half shut, the lilacs growing down the wall like Nature’s tapestry, were all qualities that spoke to George and Elizabeth’s collective identity.

As we stepped inside I told them that the house reminded me of the holiday homes from my childhood vacations to places like Wales, Devon, and Normandy; the downstairs a single room, no TV, windows flung open, a few troublesome houseflies, great wooden roofbeams holding up the ceiling. There was no TV and no Playstation- instead; there were boxes of audiobooks and old board games. It gave me the feeling of being on vacation, and Elizabeth echoed this sentiment, saying that the house had a vibe not unlike that of her family’s summer cabin in the Wisconsin northwoods. It was just so charmingly disconnected from urban life. Aside from its romantic, rural qualities, I was also struck by how “lived-in” it felt. They had really furnished the place into a home, a place of their own, a place of love. The house was brought to life by the little things- the tins of spices and teas on the old shelves, George’s handsome collection of tobacco pipes, the framed photos of them together that made ascension of the staircase a timeline of their relationship- which caused me to think of the house as a house of marriage. Elizabeth delighted in showing me their honeymoon photos, kept in large old school albums underneath the wooden coffee table. We drank beer that she and George had brewed themselves. When the horse in field opposite the house started staring at us through the window, we cut up some apples and went out to feed him. We sat on a large rock by the lake and marveled that all this was even happening, ticking off all the coincidences on memory lane that contrived to bring a country girl raised in the shadow of Lambeau Field and a kilt-wearing Oxfordshire Brit to building a life together in the western Irish countryside- as well as the little coincidences that facilitated my humble cameo to their story. It’s quite a thing, I said.

Staying with them in this house, I got to know George and Elizabeth on a deeper level. I was really experiencing them for the first time as a married couple, as homeowners, and as a family. And they revealed themselves at once to be gracious and natural hosts. I always get embarrassed when I’m being waited on hand and foot, but I couldn’t help enjoying seeing them this way. George and Elizabeth love to entertain. Throughout my whole stay I was lovingly tended to; scarcely a moment passed when I was not handed a beer or outfitted with an extra cushion. Knowing as intimately as anyone my history of mental health issues, they enquired often about how I was feeling. At one point I was even set up in a hammock, and brought a plate of sausages that had been boiled in cider and barbecued. Now this is living, I thought, feeling the sun warm on my closed eyelids and the fresh, country air rising in my nostrils. George and Elizabeth made me feel like the Sultan of Brunei, treating me with such affection that they resisted all attempts on my part to give a helping hand. One of the highlights of my trip was our adventure to the hardware store. We excitedly purchased one of those massive, Robby-the-Robot-shaped compost converters and hurried back to the homestead to assemble it. When it was ready for use, we each pinched our noses with laundry pegs (which fucking hurt like a sonuvabitch I might add) and proceeded to dump as much rank waste inside as possible. With the lid open, George held up the garbage bags while his wife tried cutting out the bottom with rusty garden shears. When Elizabeth started making a series of retching noises, I insisted they let me help.

“WE COULDN’T POSSIBLY.”

“Liz, you’re about to barf,” I said.

“OKAY.”

So I took the shears from her and finished the job, stabbing at the swollen black refuse sack like a Jedi Knight would the pregnant gut of a pot-bellied rancor. After penetrating the bulging sack I had to act fast as the smell of rancid trash grew ever thicker- as though the mortally wounded beast aimed to take us down with her- and I cut crossways with the shears. An immense feeling of accomplishment and self-worth came over me as the entrails burst forth, and our mission was complete.

Personal, Travel

My Irish Weekend Part 1: “The Happiest Place on Earth”

July 23, 2018 mjvowles2014 1 Comment

When I started writing blog posts that included references to real people, TumbleweedWrites was still in its infancy, and I was ignorant of the ethics of such a thing. I took advice from my roommates- who, being central figures in my life, feature in a lot of my posts- about what was the right thing to do. I made a commitment then to always use pseudonyms when referring to real people, and (perhaps more importantly) to never include mention of a person’s address or place of work. With a glass of Captain Morgan in my hand and a border collie nuzzling against my hip, I went through all my previous posts and edited them accordingly.

As a general rule, I try to avoid writing about people unless they give necessary context to a post. I think that’s just good practice- whether you are writing a short story or an article- to leave out any extraneous details, to make sure that every sentence relates to the overarching theme. And a digression into something that only makes sense to myself and a handful of chums would only diminish the quality of the piece.

Today, I will be breaking both of these rules- but not without valid reason. Firstly- I will be giving the actual name of a place. However, this place is a business operated by my friend’s uncle, so its address is already in the public sphere. Secondly, any adventure I have with Elizabeth becomes inextricably linked to her character, so my descriptions of the places I went and the things I did will be infused with insights into her personality. It would be impossible to narrate something as simple as going to the DMV with her without revealing some aspect of her wit. In fact I’ve done that- and it was hilarious.

Elizabeth has featured a few times on this blog. Diligent readers will remember her from such posts as Our Only May Amelia and Lamb Boobs. I first met the lady I call “Elizabeth” in 2012 through her older brother Aaron. And to this day she still comes out with stuff that completely catches me off-guard. I think that’s one of the defining things about being friends with her; even her siblings will be left dumbstruck by some of her jokes. In that way, she is utterly unique. The effectiveness of her humor comes from a perfect storm of juxtapositions that makes remarks that shouldn’t be surprising to those who know her seem as fresh and shocking as if you just met. She’s neither a girly-girl nor a tomboy. She can be cooing about how “precious” a fluffy lamb is one minute, tying daisy-chains into my hair and calling me “doll”, before turning around and uttering something so crude that we can only categorize it as “pipefitter humor”. She would be just as much at home shotgunning beer in the center of a rave as she would be going through stamp collections in the company of an old bat with a goiter the size of Azerbaijan. No description I give can really do her justice or give you a truthful account of her persona. She’s an actress, a singer, a dancer, an archeologist, a historian, a swimming instructor, a pre-school teacher, a writer, a comedian, a scholar, a prom queen, a roller-blader, an audio-cassette enthusiast, a Pokemon trainer, and she’s fluent in Swedish. In high school she was voted the friendliest kid in her grade. I look at Elizabeth and I see flashes of Scout Finch’s sass, Tom Sawyer’s thirst for mischief, Mad-Eye-Moody’s wildness, Ella Fitzgerald’s rhythm, and Bob Ross’s chilled-out oneness with the universe- but those are just impressions, and not really that helpful. They say more about my associative thought processes than Elizabeth herself, because in truth she is none of those things; she is simply Elizabeth.

Her husband George is similarly hard to categorize or draw comparisons to. He asked me during my stay at their house what my preconceptions of him were prior to meeting him, and I couldn’t really give an answer. I had no idea what Elizabeth’s soulmate might look like, because Elizabeth herself doesn’t fit a certain mold. I answered that I could remember being very curious who such a person might be like; everything from his accent down to his moral values. I had no idea what to expect- what was the perfect match supposed to look like? After meeting him, however, their relationship seemed to make perfect sense. Their personalities seem almost tailor-made for one another- which is not to say that George is simply a male Elizabeth. It’s more like they are two pieces of a functioning whole, and I had a great time in the company of that dynamic synergy. George is just as quirky and unique as his spouse, and I am convinced that if I met him first, I would have been similarly stumped as to who in the heck would turn out to be his other half.

Even though George and Elizabeth came to visit me in January, I began to miss them terribly. After just a few weeks I was desperate to see them again. They had just moved to Ireland and I lamented how out of reach my close friends were- but such is adult life; I think your 20s really are the decade you begin to realize just how important people are to you. I had so much to talk to them about that I was sending them 10-minute voice messages on Whatsapp every time I walked home from the warehouse. A weekend was agreed in which I could visit them, and the timing could not have been better. I got a dirt cheap flight to Shannon and a couple days off of work, which, combined with the bank holiday Monday, gave me five precious days with my American family.

Getting to Shannon from Bristol was the easiest flight I’ve ever had. We had barely been in the air for half an hour before the captain told us to sit our asses back down and buckle up for landing. The customs process was as smooth for us as gaining admittance to a Mad-town frat party is for the owner of a D-Cup bust. The duty free was full of jerseys for the Irish rugby team. It’s a tiny little airport but very neat and super-relaxed. Before I knew it I was outside, breathing foreign air for the fourth time this year. That’s always the first thing I think about when I exit an airport- the air. I always seem to be trying to get a feel for the wind and- I know this sounds crazy- in that moment it always seems different. I look at the sky and the trees and the cars and I think about how I’m in a new land with its own customs and history. I think about the lives of ordinary locals who look at what I’m seeing with as much familiarity as I would the sky, the trees, and the cars that pass through my peripheral vision in my hometown. I obsess about that sort of thing- the lives people lead in other places, and whether or not they disregard as “ordinary” the aesthetics that are for me so fresh and exotic. And I’m not even talking monkey-puzzle-exotic or pagoda-exotic; I was staring at parked Ford Fiestas, chain-link fences, and the brick backs of pubs where disgruntled employees sucked on cigarettes while taking the bins out.

Whenever I meet George and Elizabeth we do this big group hug thing. It’s more than a little bit adorable, and it always acts as a way to quickly soothe my built-up anxiety and loneliness. My trip to Ireland was convenient for a number of reasons- I was feeling particularly melancholy and stressed at the time. I’ve come to terms with the fact that depression isn’t really something I can permanently exorcise from my existence; however much progress I make it will always be there, and it comes and goes in its intensity like the tide. When it comes around, it has a way of magnifying everything I feel and think so that little worries become big ones. But standing in the Shannon airport parking lot with each of them under my armpit I felt a different kind of tide, a happiness washing over me, the cleansing effect of which I can best describe as “soothing”. Sometimes I think of depression as being like a balloon in my skull that grows in size, and as it gets fatter I become less rational, more agitated, and it’s hard to think or communicate- but then something comes along and pops it, and all the toxic air is farted away. And there I am- my mind is my own again.

As we drove through the Irish countryside Elizabeth threw packets of Salt & Vinegar crisps at me from a giant bag between her knees. For some reason they had the mother-load of this particular flavor. I never asked why and they never explained, and it’s entirely possible with them that they were fresh off an impromptu heist of the Walkers factory.

“We gotta surprise for yoooou,” Elizabeth trilled excitedly.

The surprise was a visit to George’s aunt and uncle, who run an award-winning fairy garden outside of Limerick. It’s called Terra Nova and you should totally go if you’re ever in the area. It’s ranked number one on TripAdvisor out of 116 things to do in the Limerick area. I’m always surprised when people I know turn out to be successful for some reason. It’s like I never considered that the people behind roadside diners, traveling circuses, and baboon sanctuaries were real.

We arrived at Terra Nova before it opened, and I was lucky enough to be given a free private tour. At first when Elizabeth told me that her husband would be serving as my tour guide, I just assumed that she meant it in that casual way a gracious dinner host would say “I’ll give ya the tour.”

But it turned out that I was getting an official, scripted tour. George picked up the Terra Nova leaflet and looked back at his wife.

“Why don’t you tell it, dear? You’re so good at it.”

“No. You tell it much better than I do!” she insisted, and I could tell that Terra Nova really had become a second home for them.

George cleared his throat and put a hand on my shoulder.

The tour wasn’t, as I would have assumed, a string of facts about the flora or the history of the garden. The tour was a story. It was an original fairy tale, blossoming with creativity and whimsy, that brought to life the plethora of gnomes and hobbits and other statues throughout the garden. I was in awe of how detailed it was- going in depth into the habits and neuroticisms of the garden’s inhabitants. Because I’m lazy, I probably wouldn’t read a written tour if it were handed to me, and if I had come by myself it is likely that I would have missed out on this imaginative experience. George led me from one part of the garden to the next, and I was thoroughly enjoying myself.

What struck me about the garden were the little details. It seemed that every possible corner, alcove, and space was crammed with eclectic faerie motifs- and each with its own story to tell. Elizabeth told me that she discovers something new every time she visits. You really can’t rush through this place- there’s so much to see that it’s easy to miss something. When you first arrive it looks smaller than it actually is, because there are no wide open spaces. The whole place is made up of tiny, enclosed grottoes and narrow footpaths shaded by thick canopies. You go from one little area to the next and remark “Well heck, there’s more!”

George’s uncle joined us for some scalding-hot instant coffee by the pond, and told us how he is always adding to the place, thinking up new stories to tell. It’s such an interesting and quirky place, and you’d be remiss to leave it out of your trip if you find yourself in the greater Limerick area. I lamented that I was only stopping by; if I were a local I would come to Terra Nova on my weekends and just read in one of the gazeboes. It’s so serene and enchanting. It actually won the title “The Best Garden in Ireland”, but I prefer Elizabeth’s name for it: “The Happiest Place on Earth”.

Wanna know more about Terra Nova Gardens? Click here to see their website!

Drama, Movies, Personal, TV

Spring 2018 Recap

June 23, 2018 mjvowles2014 Leave a comment

Today I’d like to do a springtime recap! These posts are always super-fun to write, and they let y’all know what I’ve been up to when I’m not writing or scrapping metal. Don’t worry; there are no spoilers for anything I review here.

TV: Westworld & Evil Genius

These are the two shows I’ve really been obsessed with this year so far. I’m actually enjoying Westworld’s second season more than its first. I won’t spoil anything for those of y’all still catching up, but I love the direction they’re taking the show in and the themes that come with that narrative avenue. The crux of Westworld is its exploration of the consequences of theme park robots remembering what happens to them before they’re destroyed, repaired, and reset, and I think that the concept of these “dreams” and “reveries” being the catalyst for self-awareness is such a fascinating, clever idea. It’s probably the most layered TV drama that I watch. It’s a show that I think about when I’m not watching it. I love going online after the episode finishes and watching video breakdowns of all the hidden meanings and revelations.

Evil Genius, on the other hand, is a Netflix crime documentary, pitched to me by my kid brother as being to 2018 what Making a Murderer was to 2016 and The Keepers was to 2017, respectively. I loved both shows, and Evil Genius definitely scratches that particular, chillingly-macabre itch. It’s just as addictive, and like them, it’s a documentary that proved as engaging as a thriller flick. But where Making a Murderer raised questions about the U.S criminal justice system, and The Keepers was poignant and unsettling, Evil Genius is just plain weird. It’s a case of reality conjuring up something stranger than fiction. Marjorie Diehl-Armstrong is about as frightening as a Cormac McCarthy antagonist, and her associates tantamount to a Who’s Who of Erie’s most despicable white trash assholes.

Cinema: I, Tonya

This might be my favorite movie of the year so far! When I think back on all the media I’ve consumed in the past few months, I, Tonya stands out as something that was both an enjoyable and a creative experience. Margot Robbie gave a career-defining performance as redneck figure skater Tonya Harding. A complete performance. One that utilized every aspect of her talent in order to create a Tonya that was in equal parts flawed and sympathetic. Given the nature of the film as being both comedic and heart-wrenching, it had to have demanded a lot of her, and she just kind of gets it right. It works, and the performance made the movie. I love how creative she is an actress and how invested she is in her recent roles; it seems like she is selecting parts that she’s really passionate about and working as both an auteur and a performer. She reminds me a lot of a young Robert De Niro.

I was very impressed with the choreography and cinematography of the ice skating scenes, which are the most exciting moments in the film. Watching them was like watching the car chase in The French Connection or the bank heist in Heat. They’re treated like action scenes and the way the movie pulls them off is simply breathtaking. It honestly looked like Margot Robbie was executing that triple axel.

Theatre: A Streetcar Named Desire & A View from the Bridge

The Tobacco Factory and the Old Vic in Bristol have had some awesome plays on this year. In my last “creative roundup” post I wrote about going to see Macbeth. And recently I’ve been to see two more tragedies: A Streetcar Named Desire by Tennessee Williams and A View from the Bridge by Arthur Miller. I was already very familiar with the former, having seen the Marlon Brando film version several times. But it’s a story that’s so damn good that it never gets old, and I jumped at the chance to see it on stage. Even though I write fiction and poetry, I’d say my two favorite storytellers of all time are Shakespeare and Williams. As far as narratives go, they’re my absolute idols. I love the themes that Williams works with, and the modern adaptations of his plays have the freedom to be more explicit and visceral. In the Brando film version, the darker elements of the plot are hinted at but never seen. So much has to be inferred when watching it (or indeed any other adaptation of Williams’ work from that period). But watch one of his plays nowadays and it is absolutely brutal. Everything Williams wanted to write about but had to dance around in the 1950s is unleashed in all its bleak and depressing glory. I thought that Kelly Gough in particular did a fantastic job as Blanche Dubois, in a performance that made me think about just what a tragic character she is.

A View from the Bridge, on the other hand, was a play I knew literally nothing about. I’ve seen both The Crucible and Death of a Salesman on stage, and I know that Miller is an O.G. I went to see this one with my father and my nan, and it was only on the drive to the theatre that I learned the play was about Italian-Americans in the New York docks, which made me think: I’m gonna like this. The play turned out to be one of the best I’ve ever been to- not just this year, but ever. At the interval we all looked at each other, blown away by how good it was.

“This is absolutely brilliant,” my nan said, and the woman behind us was like “It’s amazing, isn’t it?”

There were a lot of young people in the audience, who were no doubt studying the play for their Lit exams, and when the play ended everyone was on their feet whistling and hooting. It was probably the loudest applause I’ve ever heard at the Tobacco Factory. If you ever get the chance to see this play then DO IT. It’s a classic tale of incest and revenge…

Personal, Writing

Reassessing My 2018 Resolutions

June 21, 2018 mjvowles2014 Leave a comment

With my Hungarian series concluded, I’d like to write a post reflecting on how 2018 has gone so far. In my New Year’s Resolution post I outlined some targets I wanted to hit: finish writing 2 novels and develop my sense of self-sufficiency. I’m continually searching for creative and mental satisfaction- they have always seemed like the twin pillars upon which my life is built. One’s about actualizing what isn’t here and the other’s about repairing what is. Succeed in both and I guess I’m whole. As long as I stay inspired and stress-free, I’ll keep the black tentacles of depression at bay.

As I look back on the Spring of this year, I can’t help but feel it’s the importance I place on these two targets that’s part of the problem. My tendency to perceive a year in my life as having a narrative. As the weeks go by I’ve felt the weight of the pressure I’ve put on myself grow heavier. I’ve been stressed. And when I say I’m stressed, I don’t mean that my life is stressful; I’m not referring to exterior stressors like inflated gas bills, vindictive ex-spouses, or inheritance feuds. My stress comes from within. It’s derived from my own sense of failure in relation to my progress. I’ve attached a great importance to 2018 as being a year in which I can look back upon as having some kind of legacy. So far I have mixed feelings about the whole business, and therefore mixed feelings about 2018.

I am making progress. My dissatisfaction is with the pace of my progress. I’m hungry for results. As it stands, my novel is at about 50,000 words, with about another 15-20k to go. I just can’t help but think that I should have finished the darned thing a couple months ago. The issue is not that the novel is going slow (since I have all the chapters mapped out), but that I’ve been struggling to allocate time for it. Things were a lot easier when I worked at the pub. My new job at the warehouse brings in more money, but it’s at the expense of my writing time. It means that I have to go hard on my weekends, and so my sense of rhythm is lost during the week. It’s a stop-and-start writing experience at the moment, as opposed to something that flows from one day into the next. I should be doing a better job of getting some writing done in the evenings after work. That’s the discipline I’m trying to strengthen. I always get some done- usually for the blog- but not as much as I could. I end up getting distracted by things like Star Wars: Galaxy of Heroes or the Ricky Gervais Show.

Reading is another thing that stresses me out a lot. I haven’t been getting as much reading done recently because I’m worrying about the blog and the novel. But reading and writing have a natural synergy, and when one is neglected the other suffers. I think a lot of my worries relate to speed to be honest. Not so much the absence of progress as the rate of it. Wishing there were more hours in the day.

I’m confident of finishing the current novel and the next one by the end of 2018, and I do think that my reading will pick up too. But will I be happy and fulfilled by the end of the year? Will something still feel missing in my life? Reading and writing are tangible, measurable goals. But the more abstract resolution I made about improving my mental health is harder to assess. I’ve been feeling a lot of anxiety recently, and I’ve been disappointed that it can still crush me like it did when things were really bad (the pre-medication era). I thought I was getting better at keeping my emotions in check and not collapsing under the pressure of a mood swing, but lately I have felt exceedingly weak.

But it’s not all been bad. Sure, I’ve had the odd panic attack, and I’ve been frustrated with my writing efficiency. However other stressors have gone away. Socially and creatively, it’s been a very good Spring. I’ve been inspired, I’ve traveled, and I’ve felt more capable and relaxed in social situations. I’ve gotten out more, I’ve interacted with more people, and I’ve tried new things. I’ve experienced a wonderful harmony between being sociable and being independent. I’ve taken the train to London to watch Chelsea games with my friend from Winchester, I’ve flown to Ireland to see Elizabeth & George, and I’ve reconnected with a school buddy at work that I previously didn’t get to see that much. It’s been nice to hang out with different friends from different places, and feel like my relationships with them are in good health. And yet I feel like I’ve grown as an individual. I’ve taken the time to prioritize myself and my own needs. I have been extremely comfortable in my own company, and it’s an awesome feeling. Going to Hungary turned out to be a massive success, and I loved that I could enjoy being a lone wolf like that.

And my new job, though physically demanding and long hours, is exactly the kind of challenge I need. I need to have my freedom taken away and to be pushed to the limits of my energy in order to become the best writer I can be. Through struggle comes growth, right? I have this belief that the more my conditions for writing are handicapped, the better at the craft I will become. If I was free all the time, with nothing to distract me from writing, I don’t think I would be a very good writer. My hope is that ultimately I will be able to balance my writing life with my work life more effectively, and feel that I am at maximum exuberance. I want to make every hour of my free time count, and not let it drift away into nothingness as it has in the past.

In conclusion, my year thus far has been mixed. There’s a lot I’m happy with and a lot I’m unhappy with. My plan now is focusing on balancing all the things that are important, and not letting any one aspect of my life start to rot.